Evening Program
Capro
This solo is about the quest for self-identity that many of us go through, or have gone through in our lives. There usually is an event that plants the questions and makes us self-aware, we might not recognize it at first, but in retrospect it becomes clear.
“Capro” is short for “Cape Rouge” (Red Cape). A simple costume at a very early childhood stage was the first discordant step in my case: a Superman among princesses in the school playground. I put on a cape, it gave me strength and confidence but, have I ever taken it off? Is that even possible at this point?
Duration: 9 minutes —– Music: Tura Gómez Coll ——-Choreography and performance: Tura Gómez Coll
UNSWRITTEN
In 1948 the “Declaration of Human rights” was written by the General Assembly of the United Nation: a series of moral principles recognized around the world, that describes the basic rights of every individual, including rights to life, freedom of opinion, expression, thought.
The solo presented is a research process around this topic: is the voice of an external narrator going through the epilogue of Human rights history and their implementation in our society. A collection of stories with the aim to question ourselves: Are our unalienable rights truly safeguarded by the system we are living in?
Concept and choreography: Alessia Aurora Rizzi ——- Music and composition: Radoš Veljković
Section 1: in dialogue with Gertrude Bodenwieser
Section 1: in dialogue with Gertrude Boderwieser is a short dance piece based on Section 1 and Section 2 from the program of “Bodenwieser Teacher’s Certificate” (Vernon-Warren & Warren, 2013).
This short piece focused mainly on the relationship between archive and dance. The scenic space becomes a range of possibilities during the reading of the specific exercises of Bodenwieser’s dance class.
Gertrud Bodenwieser was an Austrian dancer, choreographer, performer, and teacher. She was born in Vienna in 1890 and died in Sydney in 1959 -the city to which she went into exile in 1938 with the arrival of the National Socialists in her native country-. The artistic work of Bodenwieser is considered to be an exponent of Ausdruckstanz.
“Choreographia[Inter]Austriaca” ———— Idea/Concept: Marcela Lopez Morales & Aleksandra Krajewska Performers: Damian Cortes Alberti, Anni Taskula & Marcela Lopez Morales ——— Music: Johannes Brahms – Wiegenlied (Lullaby), Op. 49, No. 4 ——————– Curator: Rose Breuss
Pink Lady
Solo – 8 min – Work in Progress
#tango #florwork #gender #feminism
Socio? Cultural? Gender? Identity?
I’ve never felt committed to being XX just because I am XX.
Borders and concepts dissolve the more we keep on changing our perspective. What is there, behind our socially requested avatar that bears our name? Who is actually willing to have a look? To all that pathetic, funny, absurd, random, and useless human states?
Rosalie Wanka plays with elements of socio-cultural provenience and gender identity, with irony and humor creating a dance that doesn’t care to define itself.
Idea I Concept I Choreography I Performance: Rosalie Wanka ——————Music: A Don Alfredo Gobbi / Eduardo Rovira – BangBang / Nancy Sinatra ———-Pink Pants: Fabian Kipp —————Supported by Festival Hier=Jetzt – Tanztendenz München
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Pausa 15’
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Open heart blindness.
Description: Open heart blindness is a solo that talks about the dark side of passion. While passion is considered the fuel that made us the runaway species, filling our life with meaning and achieving greatness over our own expectations. Blinded by the desire to pursue our goal, passion can become addictive. We feel invincible and we don’t acknowledge how in reality we expose ourselves to great danger, which often manifests when it’s already too late.
Choreography and text: Valerio Iurato ————–Dancer: Safira Santana Sacramento ————–Voices: Hodei Iriarte Kaperotxipi, Safira Santana Sacramento
S-Y-S-T-E-M
“We are born as free individuals, or so we are made to think… we are born in civilization, so from the beginning, we are part of something bigger than ourselves… we belong to a society that has already made choices for us whether we know it, want it, or not. It even feels normal for us to live in this System because we truly believe we are living in freedom…
But do we have a chance to even think that something might be mistaken in our stressful lives? If we just stop and think about it, can we actually change something? Even after grasping this idea, we keep on going because it seems to be the normal thing everyone does and normal is right, isn’t it?
While everything around us changes at a maddening speed and our consuming society demands more and more: everything has to be faster, bigger, better…
It seems as if we become pieces of a machine that has to function no matter what, in a world that shows no empathy for the individual and their needs or wishes.
By trying to be different we risk being rejected by said society, get sucked back in, and pay a higher price than we may have considered. How worth is it risking safety for freedom?”
Dance company Sense Pell ——– Choreographer – Filip Löbl ————Music – Hodei Iriarte Kaperotxipi —–Dancers – Tura Gomez Coll, Lorenzo Ruta, Alessia Rizzi, Filip Löbl.